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Model by Leon Bakst

plate no. 8646

Model

Leon Bakst

chalk, charcoalArt Nouveau (Modern)nude painting (nu)figurenudeportraitbedhair
some experience helpful

This drawing helps students develop skills in figure drawing, particularly in capturing form and light with charcoal and chalk. It also encourages observation of subtle tonal variations and expressive mark-making.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall figure proportions and pose using charcoal.

  2. step 02

    Establish the main light and shadow areas on the body.

  3. step 03

    Begin adding mid-tones with charcoal, blending lightly.

  4. step 04

    Use white chalk to highlight the brightest areas, such as the face, shoulder, and bedding.

  5. step 05

    Refine the contours and details of the figure, paying attention to anatomical accuracy.

  6. step 06

    Add texture to the hair and bedding with short, expressive strokes.

  7. step 07

    Soften edges and blend tones where necessary to create a sense of depth.

  8. step 08

    Add final touches and highlights to enhance the overall effect.

color palette

primary · charcoal gray · white chalk · yellow ochre

secondary · light gray

The key is to blend charcoal and white chalk to create a range of grays. Use the yellow ochre paper as a mid-tone.

techniques

  • ·charcoal blending
  • ·chalk highlighting
  • ·cross-hatching
  • ·tonal shading
  • ·figure drawing

common pitfalls

  • →Overworking the drawing and losing the freshness of the initial sketch.
  • →Failing to accurately capture the proportions of the figure.
  • →Creating harsh lines instead of smooth transitions between tones.
  • →Not using enough white chalk to create highlights.

materials

surface · toned paper

required

  • ·Yellow ochre toned paper
  • ·Charcoal pencils (soft, medium)
  • ·White chalk
  • ·Kneaded eraser
  • ·Blending stump
  • ·Fixative spray

optional

  • ·Sandpaper block
  • ·Chamois cloth

Using toned paper helps establish a mid-tone from the start, making it easier to build up shadows and highlights.

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