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home·artworks·Mme Boursier and Her Daughter
Mme Boursier and Her Daughter by Berthe Morisot

plate no. 0184

Mme Boursier and Her Daughter

Berthe Morisot, 1873

oil, canvasImpressionismportraitportraitfiguresmotherchildinteriorclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, capturing likeness and expression, and understanding the use of broken color and loose brushwork to create form and texture. It also provides practice in mixing skin tones and rendering clothing folds.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the composition, focusing on the placement and proportions of the figures.

  2. step 02

    Block in the main shapes and colors of the background and figures with thin washes of paint.

  3. step 03

    Begin to build up the values and colors in the faces, paying attention to the highlights and shadows.

  4. step 04

    Develop the clothing and other details, using loose brushstrokes to suggest form and texture.

  5. step 05

    Refine the facial features and add details such as the eyes, nose, and mouth.

  6. step 06

    Add the final touches and highlights to the painting, paying attention to the overall balance and harmony.

  7. step 07

    Consider adding a thin glaze to unify the colors and create a sense of depth.

  8. step 08

    Allow the painting to dry completely before varnishing.

color palette

primary · ivory black · ultramarine blue · burnt umber · titanium white

secondary · cadmium red light · yellow ochre · viridian

Mix skin tones using white, yellow ochre, cadmium red, and a touch of burnt umber. Use ultramarine blue and ivory black to create the dark blues and blacks of the clothing. Mix greens with viridian and yellow ochre.

techniques

  • ·broken color
  • ·alla prima
  • ·dry brushing
  • ·scumbling
  • ·portraiture

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting the proportions of the figures wrong.
  • →Using colors that are too saturated or intense.
  • →Failing to capture the likeness of the subjects.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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