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home·artworks·Misty Day in Winter, Baie-Saint-Paul
Misty Day in Winter, Baie-Saint-Paul by Clarence Gagnon

plate no. 6051

Misty Day in Winter, Baie-Saint-Paul

Clarence Gagnon, 1915

oilImpressionismlandscapesnowtreesbuildingsskyvillagewinter
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in snow and sky, as well as loose brushwork to suggest texture and form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, trees, and horizon line.

  2. step 02

    Block in the sky with a thin wash of yellow and white, allowing for some variation in tone.

  3. step 03

    Establish the main shapes of the buildings with a mix of blue and white, varying the intensity to create depth.

  4. step 04

    Add the snow-covered ground with a mix of white, yellow, and blue, paying attention to the subtle color shifts.

  5. step 05

    Paint the trees with loose, expressive brushstrokes, using a mix of dark blue and brown.

  6. step 06

    Add details to the buildings, such as windows and roofs, with small, precise strokes.

  7. step 07

    Refine the highlights and shadows to create a sense of form and depth.

  8. step 08

    Add final touches, such as small branches and details in the snow.

color palette

primary · titanium white · ultramarine blue · yellow ochre

secondary · burnt umber · cadmium red

Mix white with small amounts of blue and yellow to create the various shades of snow. Use yellow ochre to warm the sky and add highlights to the snow. Mix blue and umber for the darker tones in the trees and buildings.

techniques

  • ·dry brush texture
  • ·color mixing
  • ·loose brushwork
  • ·layering
  • ·atmospheric perspective

common pitfalls

  • →Overworking the snow and losing the subtle color variations.
  • →Making the buildings too detailed and losing the impressionistic feel.
  • →Using too much dark blue and making the painting feel heavy.
  • →Not varying the brushstrokes enough, resulting in a flat, lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-sized canvas to allow for loose brushwork. Consider using a slightly textured canvas to enhance the impressionistic feel.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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