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home·artworks·Misty Day in March
Misty Day in March by Ernest Lawson

plate no. 5648

Misty Day in March

Ernest Lawson, 1912

oilImpressionismlandscaperivertreesbuildingslandscapereflectionssky
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and capturing atmospheric perspective. It's a good exercise in mixing subtle color variations to depict light and shadow in a landscape.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, indicating the horizon line, riverbank, and major shapes of the buildings and trees.

  2. step 02

    Block in the sky with a thin wash of pale blue and white, allowing it to blend softly.

  3. step 03

    Establish the overall color scheme of the river using varying shades of green, blue, and gray, applied with broken brushstrokes.

  4. step 04

    Paint the distant buildings and trees with muted colors, focusing on their shapes rather than details.

  5. step 05

    Add the foreground elements, such as the riverbank and trees, with thicker paint and more visible brushstrokes.

  6. step 06

    Create the reflections in the water by mirroring the colors and shapes of the objects above, using horizontal strokes.

  7. step 07

    Add highlights and shadows to create depth and dimension, paying attention to the direction of light.

  8. step 08

    Refine the details and adjust the colors as needed to achieve the desired atmospheric effect.

color palette

primary · titanium white · viridian green · ultramarine blue

secondary · burnt sienna · yellow ochre · raw umber

Mix greens by combining blue and yellow, and grays by mixing complementary colors. Use white to lighten colors and create atmospheric haze.

techniques

  • ·broken brushstrokes
  • ·wet-on-wet blending
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →overworking the details
  • →using too much detail in the background
  • →creating muddy colors
  • →ignoring the reflections in the water

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·#6 round brush
  • ·#8 flat brush
  • ·titanium white oil paint
  • ·viridian green oil paint
  • ·ultramarine blue oil paint
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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