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home·artworks·Misses Agnes and Margaret Perigal
Misses Agnes and Margaret Perigal by James Archer

plate no. 9912

Misses Agnes and Margaret Perigal

James Archer

oilRomanticismportraitportraitfigureschildrendresseshairbackground
some experience helpful

This painting offers a good opportunity to practice portraiture, focusing on skin tones and subtle color variations. Students can also learn about creating soft, diffused lighting and rendering fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figures' poses and proportions.

  2. step 02

    Block in the background with a base layer of red, varying the tone slightly.

  3. step 03

    Establish the basic skin tones using a mix of white, red, yellow, and a touch of blue.

  4. step 04

    Begin layering the skin tones, adding highlights and shadows to define the forms.

  5. step 05

    Paint the dresses, paying attention to the folds and highlights.

  6. step 06

    Add the details of the hair, using thin brushstrokes to create texture.

  7. step 07

    Refine the facial features, focusing on the eyes and lips.

  8. step 08

    Add the final details, such as the black ribbons and any small highlights.

color palette

primary · titanium white · cadmium red · yellow ochre · ivory black

secondary · ultramarine blue · burnt umber

Skin tones are achieved by mixing white, red, yellow, and a touch of blue. Vary the proportions to create highlights and shadows. The background is a mix of red and burnt umber, with subtle variations in tone.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·color mixing
  • ·rendering fabric

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish accurate proportions in the initial sketch.
  • →Ignoring subtle color variations in the skin tones.
  • →Overworking the details, resulting in a stiff or unnatural appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve blending.

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