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home·artworks·Miss Thompson (Miss Patricia Thompson)
Miss Thompson (Miss Patricia Thompson) by Laura Knight

plate no. 8292

Miss Thompson (Miss Patricia Thompson)

Laura Knight, 1932

oilImpressionismportraitportraitfiguredresschairbackgroundpattern
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating depth through layering and subtle value changes. Students will also learn to depict fabric and patterns.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with broad strokes, capturing the overall color and pattern.

  3. step 03

    Block in the main shapes of the figure, including the dress, arms, and head.

  4. step 04

    Begin refining the skin tones, using subtle color variations to create form.

  5. step 05

    Add details to the dress, including the folds and the decorative pattern.

  6. step 06

    Refine the background details, adding depth and interest.

  7. step 07

    Pay attention to the light source and adjust values accordingly.

  8. step 08

    Add final highlights and shadows to create a sense of realism.

color palette

primary · rose madder · yellow ochre · titanium white

secondary · viridian · ultramarine blue · burnt umber

Mix rose madder and white for the dress, adding yellow ochre for warmth. Use yellow ochre and burnt umber for the background, adding touches of blue and green for variation. Skin tones are achieved with a mix of white, rose madder, yellow ochre, and a touch of burnt umber.

techniques

  • ·portraiture
  • ·scumbling
  • ·layering
  • ·color mixing
  • ·blending

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring the underlying structure of the face.
  • →Failing to create depth in the background.
  • →Getting lost in details too early.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints (rose madder, yellow ochre, titanium white, viridian, ultramarine blue, burnt umber)
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·medium gloss
  • ·easel
  • ·color wheel

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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