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home·artworks·Miss Isobel McDonald
Miss Isobel McDonald by Tom Roberts

plate no. 4713

Miss Isobel McDonald

Tom Roberts, 1895

oilImpressionismportraitportraitfigurehatdressprofile
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing to achieve subtle skin tones, and capturing form with loose, expressive brushstrokes. It's a good exercise in simplifying complex forms and focusing on essential details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, hat, and background.

  2. step 02

    Establish the overall value structure with a thin wash of neutral color.

  3. step 03

    Block in the main areas of color: skin, hair, hat, dress, and background.

  4. step 04

    Begin layering and blending colors to create smooth transitions and subtle variations in skin tone.

  5. step 05

    Define the features of the face, paying attention to the shapes of the eyes, nose, and mouth.

  6. step 06

    Add details to the hat and dress, using thicker paint and more visible brushstrokes.

  7. step 07

    Refine the background and adjust the overall color balance.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · raw umber · cadmium red light · yellow ochre

secondary · ultramarine blue · ivory black

Mix skin tones by blending white, red, yellow ochre, and a touch of umber. Use ultramarine blue and raw umber to create a neutral gray for the background. Add small amounts of other colors to subtly shift the temperature of the gray.

techniques

  • ·portraiture
  • ·color mixing
  • ·blending
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the skin tones and losing the freshness of the brushstrokes.
  • →Getting the proportions of the face wrong.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in value and color.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-sized canvas (e.g., 16x20 inches) for this project. Consider using a toned canvas to help establish the overall value structure.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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