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home·artworks·Miss Flora Robson as Lady Audley
Miss Flora Robson as Lady Audley by Ethel Léontine Gabain

plate no. 9525

Miss Flora Robson as Lady Audley

Ethel Léontine Gabain, 1933

oilNeo-Romanticismportraitportraitfiguredressjewelrycurtainhair
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering textures of clothing and jewelry. It also provides practice in color mixing and layering to achieve depth and dimension.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of color.

  3. step 03

    Block in the local colors of the skin, hair, dress, and curtain.

  4. step 04

    Begin layering and blending colors to refine the forms and create smooth transitions.

  5. step 05

    Add details to the face, including the eyes, nose, and mouth.

  6. step 06

    Render the textures of the dress, jewelry, and hair with varied brushstrokes.

  7. step 07

    Adjust the values and colors to create depth and dimension.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · cadmium red · yellow ochre · ultramarine blue

secondary · burnt umber · viridian green · alizarin crimson

Mix various shades of skin tones using white, yellow ochre, and a touch of red and blue. Achieve the red hair color by mixing cadmium red with a touch of burnt umber and alizarin crimson. Create the curtain color by mixing ultramarine blue, alizarin crimson, and burnt umber.

techniques

  • ·layering
  • ·blending
  • ·dry brushing
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to capture the likeness of the subject.
  • →Using colors that are too saturated or unrealistic.
  • →Ignoring the importance of value contrast in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. A medium such as Liquin can help speed up drying time.

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oil painting for beginners →how to learn by studying the masters →
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