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home·artworks·Miss Betty Pollock
Miss Betty Pollock by John William Waterhouse

plate no. 6362

Miss Betty Pollock

John William Waterhouse, 1911

oil, canvasRomanticismportraitfigureportraitdressfoliageflowersgarden
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and subtle skin tones, as well as creating atmospheric backgrounds with soft blending techniques.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background using broad, blended strokes of dark greens and browns.

  3. step 03

    Block in the basic shapes of the figure and dress with light washes of color.

  4. step 04

    Begin building up the skin tones with thin layers of paint, paying attention to highlights and shadows.

  5. step 05

    Refine the details of the face, focusing on the eyes, nose, and mouth.

  6. step 06

    Add details to the dress, including the folds and the blue sash.

  7. step 07

    Paint the flowers and foliage in the foreground, using small brushstrokes to create texture.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · raw umber · burnt sienna · cadmium yellow

secondary · ultramarine blue · alizarin crimson · sap green

Achieve skin tones by mixing white, yellow, sienna, and a touch of crimson. Create the dress color by mixing white with small amounts of raw umber and blue.

techniques

  • ·glazing
  • ·scumbling
  • ·soft blending
  • ·portraiture
  • ·atmospheric perspective

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to capture the likeness of the subject.
  • →Creating a background that is too distracting.
  • →Ignoring the subtle shifts in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·cadmium yellow oil paint
  • ·ultramarine blue oil paint
  • ·alizarin crimson oil paint
  • ·round brushes sizes 2, 4, 6

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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