
plate no. 6362
John William Waterhouse, 1911
Recreating this painting will help students develop skills in portraiture, including capturing likeness and subtle skin tones, as well as creating atmospheric backgrounds with soft blending techniques.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on proportions and placement of the figure.
Establish the background using broad, blended strokes of dark greens and browns.
Block in the basic shapes of the figure and dress with light washes of color.
Begin building up the skin tones with thin layers of paint, paying attention to highlights and shadows.
Refine the details of the face, focusing on the eyes, nose, and mouth.
Add details to the dress, including the folds and the blue sash.
Paint the flowers and foliage in the foreground, using small brushstrokes to create texture.
Add final highlights and shadows to create depth and dimension.
color palette
primary · titanium white · raw umber · burnt sienna · cadmium yellow
secondary · ultramarine blue · alizarin crimson · sap green
Achieve skin tones by mixing white, yellow, sienna, and a touch of crimson. Create the dress color by mixing white with small amounts of raw umber and blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.
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