apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Miss Annette Hage Shows her Nephew Hother Hage a Book on Plants
Miss Annette Hage Shows her Nephew Hother Hage a Book on Plants by Wilhelm Marstrand

plate no. 3938

Miss Annette Hage Shows her Nephew Hother Hage a Book on Plants

Wilhelm Marstrand, 1856

oil, canvasRomanticismgenre paintingfiguresbookinteriorflowersstill lifeportraits
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and subtle skin tones, as well as understanding how to create depth and form through careful value control.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main areas of color, focusing on the overall values and relationships between them.

  3. step 03

    Develop the skin tones, using thin layers of paint and subtle blending to create a realistic effect.

  4. step 04

    Add details to the clothing, paying attention to the folds and textures.

  5. step 05

    Paint the book, focusing on the details of the pages and the illustrations.

  6. step 06

    Render the background, creating a sense of depth and atmosphere.

  7. step 07

    Add the still life elements, paying attention to the highlights and shadows.

  8. step 08

    Refine the details and make any necessary adjustments to the composition and color balance.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · ultramarine blue · alizarin crimson

Mix skin tones by blending white, red, yellow ochre, and a touch of umber. Achieve the dark blacks by mixing ivory black and a touch of ultramarine.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·value control

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the skin tones and making them look muddy.
  • →Failing to create a sense of depth and atmosphere.
  • →Ignoring the details of the clothing and objects.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ivory black, raw umber, titanium white, cadmium red light, yellow ochre, ultramarine blue, alizarin crimson)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke