apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Miriam and Philammon. Illustration from a 1914 Edition of Charles Kingsley's 1853 Novel Hypatia
Miriam and Philammon. Illustration from a 1914 Edition of Charles Kingsley's 1853 Novel Hypatia by Byam Shaw

plate no. 6461

Miriam and Philammon. Illustration from a 1914 Edition of Charles Kingsley's 1853 Novel Hypatia

Byam Shaw, 1914

oilArt Nouveau (Modern)illustrationfiguresinteriorarchitecturefurnitureclothing
some experience helpful

This piece is great for learning cross-hatching and line weight variation to create depth and form. It also provides practice in rendering complex patterns and textures using only black and white.

technical profile

palette complexity
1
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the figures and major architectural elements.

  2. step 02

    Outline the main shapes of the figures and objects with a fine-tipped pen or pencil.

  3. step 03

    Begin adding details to the figures, starting with the faces and clothing folds.

  4. step 04

    Develop the architectural details, paying attention to the patterns and textures.

  5. step 05

    Use cross-hatching to create areas of shadow and depth, varying the density of the lines.

  6. step 06

    Add finer details and textures to the cushions, furniture, and other elements.

  7. step 07

    Strengthen the outlines and add final touches to enhance the overall contrast.

  8. step 08

    Erase any visible pencil lines.

color palette

primary · black · white

secondary ·

N/A - This is a monochrome drawing.

techniques

  • ·cross-hatching
  • ·line weight variation
  • ·stippling
  • ·contour drawing
  • ·rendering textures

common pitfalls

  • →Overworking the details and creating a cluttered appearance.
  • →Failing to vary the line weight, resulting in a flat image.
  • →Inconsistent cross-hatching, leading to uneven shading.
  • →Ignoring the overall composition and focusing too much on individual elements.

materials

surface · smooth drawing paper

required

  • ·smooth drawing paper
  • ·fine-tipped pens (various sizes)
  • ·pencil (HB)
  • ·eraser
  • ·ruler

optional

  • ·magnifying glass
  • ·light box

Use archival quality pens to prevent fading over time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois