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Miranda by Thomas Francis Dicksee

plate no. 8335

Miranda

Thomas Francis Dicksee, 1895

oilRomanticismportraitfiguredressbeachrocksseasky
experienced study

Recreating this painting will help students develop skills in portraiture, particularly rendering realistic skin tones and drapery. It also provides practice in creating atmospheric perspective and capturing the movement of fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and the placement of key elements like the rocks and horizon line.

  2. step 02

    Establish the background sky and sea with thin washes of color, paying attention to the subtle gradations in tone.

  3. step 03

    Block in the main shapes of the rocks and sand, using a limited palette of earth tones.

  4. step 04

    Begin to build up the form of the figure, starting with the underpainting of the skin and dress.

  5. step 05

    Carefully layer glazes of color to create the subtle highlights and shadows on the skin, paying attention to the anatomy.

  6. step 06

    Refine the details of the dress, using thin washes to suggest the folds and transparency of the fabric.

  7. step 07

    Add the flowing scarf, using a combination of soft blending and crisp edges to create a sense of movement.

  8. step 08

    Finish by adding the small details, such as the jewelry and the birds in the sky.

color palette

primary · titanium white · yellow ochre · burnt umber · alizarin crimson

secondary · ultramarine blue · raw sienna · cadmium yellow light

Achieve skin tones by mixing titanium white, yellow ochre, alizarin crimson, and a touch of burnt umber. Create the translucent fabric by layering thin washes of white with hints of pink and blue.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·atmospheric perspective
  • ·drapery rendering

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle gradations in the sky and sea.
  • →Making the dress look too opaque or stiff.
  • →Losing the sense of movement in the scarf.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint
  • ·cadmium yellow light oil paint

Use high-quality oil paints for best results. Consider using a pre-toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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