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home·artworks·Minaret la Balcic
Minaret la Balcic by Samuel Mutzner

plate no. 1788

Minaret la Balcic

Samuel Mutzner, 1935

oilImpressionismcityscapeseabuildingsminarettreesskyrooftops
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as simplifying complex shapes into basic forms. It also provides practice in capturing the subtle color variations in natural light.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, minaret, and horizon line.

  2. step 02

    Block in the sky and sea with thin washes of color, focusing on the overall color temperature.

  3. step 03

    Establish the main colors of the buildings and trees, paying attention to the light and shadow.

  4. step 04

    Begin adding details to the minaret, using lighter and darker tones to create form.

  5. step 05

    Develop the foliage with broken brushstrokes, varying the greens and browns.

  6. step 06

    Refine the rooftops and walls, adding subtle color variations and textures.

  7. step 07

    Add the sailboat in the distance.

  8. step 08

    Make final adjustments to the values and colors to create a sense of depth and atmosphere.

color palette

primary · cerulean blue · raw umber · titanium white · cadmium yellow

secondary · burnt sienna · sap green · alizarin crimson

Mix the sea color by combining cerulean blue, white, and a touch of yellow. Achieve the sky's soft hues by blending white with small amounts of yellow, pink, and blue. Create variations in the building colors by mixing raw umber with burnt sienna and white.

techniques

  • ·broken color
  • ·layering
  • ·scumbling
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Using colors straight from the tube without mixing them to create subtle variations.
  • →Neglecting the importance of value in creating depth.
  • →Making the brushstrokes too uniform and losing the sense of texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 6, 8)
  • ·flat brushes (sizes 4, 10)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

A slightly textured canvas will enhance the impressionistic effect. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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