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home·artworks·Milton dictated (Paradise Lost) to his daughters
Milton dictated (Paradise Lost) to his daughters by Eugene Delacroix

plate no. 5653

Milton dictated (Paradise Lost) to his daughters

Eugene Delacroix, 1826

oil, canvasRomanticismhistory paintingfiguresinteriorpaintingdraperytableflowers
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering fabric textures, and creating a sense of depth through atmospheric perspective. It also provides practice in mixing muted color palettes and capturing subtle light variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of figures and objects.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Develop the background, paying attention to the subtle variations in tone and texture.

  4. step 04

    Refine the figures, focusing on accurate proportions and anatomical details.

  5. step 05

    Add details to the drapery, table, and other objects, capturing their textures and patterns.

  6. step 06

    Work on the faces, paying close attention to the light and shadow to create realistic forms.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of atmosphere.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red light · yellow ochre · ultramarine blue

Achieve the muted tones by mixing complementary colors and adding white or black to adjust the value. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·figure drawing
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of figures
  • →Overworking details too early
  • →Failing to establish a strong value structure
  • →Muddying colors by overmixing
  • →Ignoring the subtle variations in tone and texture

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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