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home·artworks·Mill and Stream, Morning Sun
Mill and Stream, Morning Sun by Clarence Gagnon

plate no. 0044

Mill and Stream, Morning Sun

Clarence Gagnon, 1913

oilImpressionismlandscapesnowhousestreesstreamlandscapehills
some experience helpful

Recreating this painting will help students understand color temperature in snow and how to create depth using atmospheric perspective. It also offers practice in rendering reflections in water and capturing the texture of snow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the house, stream, and hills.

  2. step 02

    Establish the sky with a light blue wash, blending it smoothly.

  3. step 03

    Block in the large areas of snow with varying shades of white, blue, and gray, paying attention to the light and shadow.

  4. step 04

    Paint the dark blue of the stream, adding reflections of the sky and surrounding landscape.

  5. step 05

    Add the houses and trees in the background, using darker values to create depth.

  6. step 06

    Paint the main house with its orange roof and yellow walls, adding details like windows and doors.

  7. step 07

    Add the bare trees and bushes in the foreground, using thin, delicate brushstrokes.

  8. step 08

    Refine the details and add highlights to the snow and water to create a sense of realism.

color palette

primary · titanium white · ultramarine blue · yellow ochre

secondary · burnt sienna · raw umber · cadmium orange

Mix different shades of white by adding small amounts of blue, yellow, or gray. Achieve the dark blue of the stream by mixing ultramarine blue with burnt umber. Create the orange roof by mixing burnt sienna and cadmium orange.

techniques

  • ·dry brush
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overblending the snow, resulting in a flat, lifeless surface.
  • →Using too much pure white, which can make the snow look unnatural.
  • →Ignoring the subtle color variations in the snow and water.
  • →Making the background elements too detailed, which can flatten the depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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