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home·artworks·Midday Rest
Midday Rest by Frederick Morgan

plate no. 9488

Midday Rest

Frederick Morgan, 1879

oilRomanticismgenre paintingfigureshay baleslandscapefieldchildrenclothing
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a landscape and capturing the texture of hay using layering and dry brush techniques. It also provides practice in mixing subtle color variations to create a sense of depth and atmosphere.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and hay bales.

  2. step 02

    Establish the background with a thin wash of warm earth tones.

  3. step 03

    Block in the main shapes of the figures, paying attention to proportions and poses.

  4. step 04

    Begin layering colors on the hay bales, using a dry brush technique to create texture.

  5. step 05

    Develop the details of the figures' clothing and faces, focusing on light and shadow.

  6. step 06

    Refine the background, adding details to the trees and foliage.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious composition.

color palette

primary · yellow ochre · burnt umber · titanium white · cadmium red

secondary · ultramarine blue · raw sienna · ivory black

Achieve the warm, golden tones of the hay by mixing yellow ochre, burnt umber, and white. Use ultramarine blue and burnt umber to create muted shadows. Mix cadmium red with white and a touch of yellow ochre for the figures' skin tones.

techniques

  • ·dry brush
  • ·layering
  • ·scumbling
  • ·blending
  • ·glazing

common pitfalls

  • →Overworking the details
  • →Using colors that are too saturated
  • →Ignoring the importance of light and shadow
  • →Failing to establish a strong composition

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#4 filbert brush
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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