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home·artworks·Men in boat at choppy sea
Men in boat at choppy sea by Cornelis Springer

plate no. 0399

Men in boat at choppy sea

Cornelis Springer

oilRomanticismcityscapebuildingswaterboatsfiguresskywaves
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering dynamic water with light and shadow. It also provides practice in architectural painting and figure placement within a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, horizon line, and major wave formations.

  2. step 02

    Establish the sky with soft, blended blues and grays, creating a sense of atmospheric perspective.

  3. step 03

    Block in the main shapes of the buildings with a warm underpainting of burnt sienna or raw umber.

  4. step 04

    Develop the water using layers of blues, greens, and whites, paying attention to the direction and movement of the waves.

  5. step 05

    Add details to the buildings, including windows, architectural features, and variations in color and texture.

  6. step 06

    Paint the figures in the boat and on the dock, using small brushstrokes to capture their forms.

  7. step 07

    Refine the highlights and shadows on the water and buildings to create depth and dimension.

  8. step 08

    Add final details, such as birds, reflections, and subtle color variations.

color palette

primary · ultramarine blue · burnt sienna · titanium white

secondary · raw umber · yellow ochre · payne's gray

Mix various shades of blue and gray for the sky and water. Use burnt sienna and raw umber mixed with white to create the warm tones of the buildings. Add small amounts of yellow ochre to warm up the browns.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Overworking the details in the buildings too early.
  • →Creating flat, lifeless water without variations in color and value.
  • →Ignoring the atmospheric perspective, which flattens the image.
  • →Using too much detail in the background, which draws attention away from the focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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oil painting for beginners →how to learn by studying the masters →
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