
plate no. 5026
Sergey Solomko, 1910
This painting offers practice in rendering figures with soft, diffused light and creating a sense of atmosphere through subtle color variations. Students can develop skills in layering colors and creating depth in a landscape.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figures and trees.
Block in the background with diluted washes of color, establishing the overall mood.
Begin layering colors on the figures, starting with the lightest tones and gradually adding shadows.
Pay close attention to the drapery and folds in the clothing, using subtle color variations to create form.
Paint the trees, using a dry brush technique to create texture and detail.
Add the moon and surrounding sky, blending the colors softly to create a hazy effect.
Refine the details of the figures' faces and hands.
Add final touches and highlights to complete the painting.
color palette
primary · titanium white · raw umber · burnt sienna
secondary · ultramarine blue · yellow ochre · alizarin crimson
Mix white with small amounts of raw umber and burnt sienna to achieve the various skin tones. Use ultramarine blue and burnt sienna to create muted grays for the shadows and background. Add yellow ochre to white for highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality acrylic paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended.
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