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home·artworks·Melting of Snow
Melting of Snow by Laszlo Mednyanszky

plate no. 4216

Melting of Snow

Laszlo Mednyanszky, 1912

oilImpressionismlandscapewatertreesrocksreflectionlandscapeforest
some experience helpful

Recreating this painting will help students develop skills in capturing reflections and using expressive brushstrokes to create texture and movement. It also provides practice in mixing greens and yellows to represent light filtering through trees.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, indicating the horizon line, the main shapes of the rocks, and the placement of the trees.

  2. step 02

    Block in the large areas of color, starting with the darkest values in the trees and the water.

  3. step 03

    Add the reflections in the water, paying attention to the colors and shapes of the reflected objects.

  4. step 04

    Develop the foliage of the trees using short, broken brushstrokes.

  5. step 05

    Define the shapes of the rocks with highlights and shadows.

  6. step 06

    Add details to the water, such as ripples and reflections of light.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed.

  8. step 08

    Add final details and highlights to create a sense of depth and atmosphere.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium yellow · viridian green · alizarin crimson

Mix greens by combining ultramarine blue and cadmium yellow, adjusting the ratio to achieve different shades. Use burnt umber and ultramarine blue to create dark, neutral tones for shadows. Add titanium white to lighten colors and create highlights.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·impasto
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the subtle variations in color and value.
  • →Ignoring the importance of reflections in the water.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·view finder

Use a medium-textured canvas to allow for expressive brushstrokes. Consider toning the canvas with a thin wash of burnt umber to create a warm undertone.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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