apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Megalithic Grave in Winter
Megalithic Grave in Winter by Johan Christian Dahl

plate no. 1429

Megalithic Grave in Winter

Johan Christian Dahl, 1825

oil, canvasRomanticismlandscapetreesrockssnowskylandscapefield
some experience helpful

Recreating this painting will help students develop skills in rendering complex tree branches and creating atmospheric perspective. It also provides practice in depicting the subtle color variations in snow and overcast skies.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, rocks, and horizon line.

  2. step 02

    Block in the sky with light blues, pinks, and grays, blending them softly.

  3. step 03

    Establish the dark masses of the trees and large rocks, paying attention to their shapes and values.

  4. step 04

    Add the snow cover, using a mix of white and cool grays to create shadows and highlights.

  5. step 05

    Begin rendering the tree branches, starting with the larger branches and gradually adding smaller details.

  6. step 06

    Define the shapes and textures of the rocks with subtle variations in color and value.

  7. step 07

    Paint the distant landscape, using lighter values and less detail to create atmospheric perspective.

  8. step 08

    Add final details such as small branches, birds, and subtle highlights on the snow.

color palette

primary · Prussian blue · Titanium white · Burnt umber

secondary · Yellow ochre · Cadmium red light · Payne's gray

Mix blues and whites for the sky, adding a touch of red for the sunset glow. Use umber and white for the rocks and trees, and mix grays with blue, umber, and white for the snow.

techniques

  • ·Dry brushing
  • ·Scumbling
  • ·Glazing
  • ·Atmospheric perspective

common pitfalls

  • →Overworking the details in the trees, resulting in a cluttered appearance.
  • →Making the snow too uniformly white, lacking depth and dimension.
  • →Failing to create a sense of atmospheric perspective in the distant landscape.
  • →Not paying attention to the subtle color variations in the rocks and trees.

materials

surface · Stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (Prussian blue, Titanium white, Burnt umber, Yellow ochre, Cadmium red light, Payne's gray)
  • ·Round brushes (#2, #4, #6)
  • ·Flat brushes (#6, #8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Medium gloss
  • ·Retarder medium
  • ·Easel

Use high-quality oil paints for best results. Pre-tinting the canvas with a thin wash of burnt umber can help to create a warm undertone.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke