apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Medgidia Houses
Medgidia Houses by Lucian Grigorescu

plate no. 8021

Medgidia Houses

Lucian Grigorescu, 1938

oilImpressionismcityscapehouseslandscapevillageskytreesarchitecture
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in simplifying complex scenes into basic shapes and forms. It also provides practice in capturing the essence of light and atmosphere in a landscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, hills, and trees, focusing on the overall composition.

  2. step 02

    Block in the sky with a thin wash of light blue and white.

  3. step 03

    Establish the main color areas for the hills, buildings, and foreground using thin washes of color.

  4. step 04

    Begin layering colors on the buildings and hills, adding details and variations in tone and hue.

  5. step 05

    Use short, broken brushstrokes to create texture and suggest foliage in the trees and foreground.

  6. step 06

    Add highlights and shadows to define the forms and create a sense of depth.

  7. step 07

    Refine the details of the architecture, such as windows and roofs, using small brushstrokes.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious and balanced composition.

color palette

primary · yellow ochre · titanium white · cerulean blue · burnt sienna

secondary · sap green · cadmium orange · ultramarine blue

Mix yellow ochre and white for the light-colored buildings. Use a combination of blues and white for the sky. Mix greens with yellow ochre and blue for the foliage. Add small amounts of red or orange to warm up the colors.

techniques

  • ·broken color
  • ·layering
  • ·scumbling
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Overworking the details
  • →Using too much paint
  • →Creating muddy colors
  • →Ignoring the overall composition

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·acrylic or oil paints
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette
  • ·linseed oil or acrylic medium
  • ·palette knife

optional

  • ·easel
  • ·painting rags
  • ·odorless mineral spirits

Use a limited palette to simplify the color mixing process. Consider using a toned canvas to create a more unified and harmonious painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann