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home·artworks·Meadow with Brook, Medfield, Massachusetts
Meadow with Brook, Medfield, Massachusetts by Robert Lewis Reid

plate no. 4674

Meadow with Brook, Medfield, Massachusetts

Robert Lewis Reid, 1909

oilImpressionismlandscapebrookmeadowgrasstreeswaterlandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in capturing the subtle reflections in water. It also provides practice in rendering foliage with loose, expressive brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, indicating the horizon line, the brook's path, and the placement of major tree masses.

  2. step 02

    Establish the sky and water with thin washes of color, focusing on capturing the overall light and tone.

  3. step 03

    Block in the distant trees and meadow with broad strokes of color, paying attention to the variations in hue and value.

  4. step 04

    Begin layering the grass and foliage in the foreground, using a variety of greens, yellows, and browns.

  5. step 05

    Add details to the brook, including reflections and highlights, using small, broken brushstrokes.

  6. step 06

    Refine the textures of the grass and foliage, adding dry brush strokes to create a sense of depth and dimension.

  7. step 07

    Adjust the overall color harmony and value contrast to create a cohesive and atmospheric effect.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · yellow ochre · sap green · ultramarine blue · burnt umber

secondary · cadmium yellow · viridian · titanium white

Achieve the greens by mixing yellow ochre and ultramarine blue or viridian. Use white to lighten values and create atmospheric perspective. Mix burnt umber with blue for darker shadows.

techniques

  • ·broken color
  • ·dry brush
  • ·layering
  • ·scumbling
  • ·wet-on-dry

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Failing to capture the subtle variations in color and value.
  • →Creating muddy colors by overmixing.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·#4 round brush
  • ·#6 filbert brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-tooth canvas for best results. Consider using a glazing medium to enhance the luminosity of the colors.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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