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home·artworks·May in the Mountains
May in the Mountains by Ernest Lawson

plate no. 5501

May in the Mountains

Ernest Lawson, 1919

oil, canvasImpressionismlandscapetreeslandscapemountainshousefoliagesky
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and color mixing to create a sense of light and atmosphere. It also encourages observation of subtle color variations in nature.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, indicating the placement of the mountains, trees, and house.

  2. step 02

    Block in the sky with a thin wash of light blue and yellow.

  3. step 03

    Establish the dark areas of the mountains and trees using a mixture of blues, greens, and browns.

  4. step 04

    Begin layering in the foliage with short, broken brushstrokes of various greens, yellows, and whites.

  5. step 05

    Add the house, paying attention to the subtle color variations in the walls and roof.

  6. step 06

    Develop the foreground with layers of greens, yellows, and browns, creating a sense of depth.

  7. step 07

    Refine the details of the trees and foliage, adding highlights and shadows.

  8. step 08

    Add final touches and adjust colors as needed to achieve the desired effect.

color palette

primary · titanium white · yellow ochre · ultramarine blue · burnt sienna

secondary · cadmium yellow · viridian green · alizarin crimson

Achieve the greens by mixing yellow ochre and ultramarine blue with varying amounts of white. Use burnt sienna and ultramarine for darks. Mix white with a touch of yellow and sienna for the blossoms.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·wet-on-wet blending
  • ·color layering

common pitfalls

  • →over-blending colors
  • →using too much detail
  • →flattening the composition
  • →ignoring color temperature

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags
  • ·varnish

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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