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home·artworks·Maunel Silvela
Maunel Silvela by Francisco Goya

plate no. 0879

Maunel Silvela

Francisco Goya, 1812

oil, canvasRomanticismportraitportraitfiguremanclothingjacketscarf
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with subtle value changes. It also provides practice in creating a dark, atmospheric background and suggesting details with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure using light pencil lines.

  2. step 02

    Block in the background with a dark, neutral color, leaving the figure's shape visible.

  3. step 03

    Establish the main value areas on the face and clothing, focusing on the light and shadow patterns.

  4. step 04

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Develop the folds and details of the clothing, using a variety of brushstrokes.

  6. step 06

    Add highlights to the face and clothing to create a sense of depth and dimension.

  7. step 07

    Soften edges and blend colors where necessary to create a harmonious effect.

  8. step 08

    Add final details and adjustments to complete the painting.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · burnt sienna · ultramarine blue

Mix various shades of brown and gray by combining ivory black, raw umber, and titanium white. Add small amounts of yellow ochre or burnt sienna to warm up the colors. Use ultramarine blue to cool down the colors and create shadows.

techniques

  • ·chiaroscuro
  • ·scumbling
  • ·blending
  • ·portraiture
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the face wrong.
  • →Making the background too light or distracting.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints: ivory black, raw umber, yellow ochre, titanium white, burnt sienna, ultramarine blue
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish

Use a limited palette to simplify the color mixing process. Consider using a toned canvas to create a more unified effect.

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oil painting for beginners →how to learn by studying the masters →
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