apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Matthias, Holy Roman Emperor, as King of Bohemia
Matthias, Holy Roman Emperor, as King of Bohemia by Hans von Aachen

plate no. 3089

Matthias, Holy Roman Emperor, as King of Bohemia

Hans von Aachen, 1612

oilMannerism (Late Renaissance)portraitportraitfigureclothingcrownscepterhistorical
experienced study

Recreating this painting will help students develop skills in portraiture, fabric rendering, and creating a sense of depth using value and color. It also offers practice in painting intricate details and patterns.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and key elements.

  2. step 02

    Establish the background with dark, muted tones.

  3. step 03

    Block in the main shapes of the figure and clothing, using simplified color masses.

  4. step 04

    Develop the skin tones, paying attention to subtle variations in light and shadow.

  5. step 05

    Begin rendering the fabric, focusing on the folds and patterns.

  6. step 06

    Add details to the crown, scepter, and other accessories.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final highlights and details to create a sense of realism.

color palette

primary · ultramarine blue · gold ochre · ivory black · burnt umber

secondary · cadmium red · viridian green

Achieve the fabric's blue-green hue by mixing ultramarine blue with a touch of gold ochre and white. Use burnt umber and ivory black for the dark background and shadows. Mix small amounts of cadmium red with other colors to create the subtle red tones in the face and drapery.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering of textures
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Getting lost in the complexity of the fabric pattern.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Apollo and the Muses (Parnassus)

Apollo and the Muses (Parnassus)

Lavinia Fontana

Portrait Of Don Rodrigo Vasquez

Portrait Of Don Rodrigo Vasquez

El Greco

Madonna Bolognini

Madonna Bolognini

Correggio

The Unhappy Lot of the Rich

The Unhappy Lot of the Rich

Maerten van Heemskerck

Head of a Woman

Head of a Woman

Orazio Gentileschi

The Deposition

The Deposition

Giorgio Vasari

Portrait of a Man Holding a Letter

Portrait of a Man Holding a Letter

Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana

Portrait of the Physician Carlo Fontana

Bartolomeo Passerotti