
plate no. 2309
Richard Gerstl, 1907
Recreating this painting will help students develop skills in capturing likeness with simplified forms and using expressive brushstrokes to convey texture and mood. It also provides practice in color mixing to achieve subtle variations in skin tones and fabric.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure and background.
Block in the main color areas with thin washes, starting with the background.
Develop the skin tones, focusing on subtle color variations in light and shadow.
Paint the dress, using thicker paint and visible brushstrokes to create texture.
Add the details of the hair, facial features, and furniture.
Refine the edges and shapes, paying attention to the overall composition.
Add the final highlights and shadows to create depth and dimension.
Step back and assess the painting, making any necessary adjustments.
color palette
primary · titanium white · yellow ochre · ultramarine blue
secondary · burnt sienna · raw umber · cadmium yellow
Mix white with yellow ochre and a touch of burnt sienna for skin tones. Use ultramarine blue and raw umber for the darker areas of the background and furniture. Add small amounts of cadmium yellow to the white for the dress.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-sized canvas (e.g., 16x20 inches) for this painting. Consider using a limited palette to simplify the color mixing process.
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