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home·artworks·Massacre of the Innocents
Massacre of the Innocents by Léon Cogniet

plate no. 9705

Massacre of the Innocents

Léon Cogniet

oilRomanticismgenre paintingfiguresrefugeesstairsarchwaystonefoliage
some experience helpful

Recreating this painting will help students develop skills in figure drawing, particularly rendering emotions and drapery, and understanding atmospheric perspective to create depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the architectural elements.

  2. step 02

    Establish the light and shadow areas with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Begin blocking in the main colors of the figures' clothing and skin tones, paying attention to the values.

  4. step 04

    Develop the background figures and architectural details, using lighter values and softer edges to create distance.

  5. step 05

    Refine the details of the main figures, focusing on the facial expressions and the folds of the drapery.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Glaze thin layers of color to unify the painting and create subtle color variations.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · burnt umber · raw sienna · titanium white · alizarin crimson

secondary · ultramarine blue · yellow ochre · ivory black

Mix various shades of browns and grays by combining burnt umber, raw sienna, ivory black, and titanium white. Use alizarin crimson and ultramarine blue to create the darker reds and purples in the clothing. Add yellow ochre to create warmer skin tones.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·drapery study

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the principles of atmospheric perspective.
  • →Getting the proportions of the figures wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the underpainting process.

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