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home·artworks·Mary with Child
Mary with Child by Adam van Noort

plate no. 7956

Mary with Child

Adam van Noort

oilMannerism (Late Renaissance)religious paintingfigurereligiouschilddraperyarchitecturehalo
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating subtle value transitions to model form. It also provides practice in glazing techniques to achieve rich, luminous colors.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and architectural elements.

  2. step 02

    Establish the dark background and shadows using a dark, neutral color.

  3. step 03

    Block in the main shapes of the figures and drapery with simplified color masses.

  4. step 04

    Begin layering and blending colors to create smooth transitions and model the forms of the figures.

  5. step 05

    Pay close attention to the light source and how it affects the highlights and shadows on the skin and fabric.

  6. step 06

    Add details to the faces, hands, and drapery folds, using smaller brushes.

  7. step 07

    Glaze thin layers of color to enhance the luminosity and depth of the painting.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · burnt sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

Achieve skin tones by mixing white, red, and yellow ochre, with small amounts of umber for shadows. Create the drapery colors by mixing burnt sienna with black and white in varying proportions. Use glazes of ultramarine blue to create depth in the shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·blending
  • ·figure drawing

common pitfalls

  • →Overworking the paint and losing the freshness of the initial layers.
  • →Failing to accurately capture the proportions and anatomy of the figures.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle value changes that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·damar varnish
  • ·medium

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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