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home·artworks·Mary von Stuck
Mary von Stuck by Fernand Khnopff

plate no. 1770

Mary von Stuck

Fernand Khnopff, 1916

oilArt Nouveau (Modern)portraitportraitwomanchairdoghatpillow
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating soft, diffused lighting effects. It also provides practice in rendering textures like fabric and wood.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, chair, and background.

  2. step 02

    Establish the main areas of color, focusing on the background, chair, and skin tones.

  3. step 03

    Begin building up the values in the face, paying attention to the subtle shifts in light and shadow.

  4. step 04

    Refine the details of the clothing, hat, and chair, adding texture and patterns.

  5. step 05

    Paint the dog, focusing on capturing its likeness and expression.

  6. step 06

    Add details to the pillow and background, ensuring they complement the overall composition.

  7. step 07

    Refine the edges and details throughout the painting, creating a sense of depth and realism.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · burnt umber · titanium white · cadmium red · ultramarine blue

secondary · yellow ochre · alizarin crimson · ivory black

Achieve skin tones by mixing white, yellow ochre, burnt umber, and a touch of red. Use ultramarine blue and burnt umber to create muted grays for shadows. Mix cadmium red with white for the chair, adjusting the hue with small amounts of yellow or blue.

techniques

  • ·portraiture
  • ·color mixing
  • ·soft blending
  • ·glazing
  • ·rendering textures

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle shifts in value and color.
  • →Creating harsh edges that detract from the overall softness of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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