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home·artworks·Mary Robinson as Perdita
Mary Robinson as Perdita by John Hoppner

plate no. 9220

Mary Robinson as Perdita

John Hoppner, 1782

oilRomanticismportraitportraitfiguredresshatlacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practicing soft blending techniques to create a sense of depth and atmosphere.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hand.

  2. step 02

    Establish the background with broad strokes of dark red and brown, creating a sense of depth.

  3. step 03

    Block in the main areas of color for the skin, hair, dress, and hat, using a limited palette.

  4. step 04

    Refine the skin tones with subtle gradations of color, paying attention to highlights and shadows.

  5. step 05

    Add details to the hair, dress, and hat, such as the lace, ribbons, and feathers.

  6. step 06

    Define the facial features, focusing on the eyes, nose, and mouth.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of harmony and balance.

  8. step 08

    Add final touches and highlights to enhance the overall effect.

color palette

primary · titanium white · ivory black · cadmium red · yellow ochre

secondary · burnt umber · ultramarine blue · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Darken shadows with burnt umber and blue. Create the red background by mixing cadmium red with alizarin crimson and burnt umber.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overblending skin tones, resulting in a flat appearance.
  • →Incorrectly capturing the proportions of the face.
  • →Failing to create a sense of depth in the background.
  • →Overworking details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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