apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Mary, Princess Royal and Countess of Harewood
Mary, Princess Royal and Countess of Harewood by Richard Jack

plate no. 7545

Mary, Princess Royal and Countess of Harewood

Richard Jack

oilImpressionismportraitportraitfiguredresspearlschairjewelry
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practicing techniques for depicting fabrics and jewelry.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 7 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions of the figure.

  2. step 02

    Block in the main shapes and colors, focusing on the background, dress, and skin tones.

  3. step 03

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  4. step 04

    Add details to the dress, chair, and jewelry, including the pearls and emerald bracelet.

  5. step 05

    Develop the background with subtle variations in tone and color.

  6. step 06

    Refine the lighting and shadows to create depth and dimension.

  7. step 07

    Add final highlights and details to enhance the realism of the painting.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · viridian · yellow ochre · ultramarine blue

Mix skin tones using titanium white, cadmium red light, and a touch of raw umber. Create the dark dress with ivory black and a hint of ultramarine blue. Use yellow ochre and raw umber for the background.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·rendering fabrics

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Overblending the skin tones, resulting in a flat appearance.
  • →Failing to capture the subtle variations in color and tone.
  • →Oversimplifying the details of the dress and jewelry.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann