apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Mary Magdalene
Mary Magdalene by Luca Signorelli

plate no. 3712

Mary Magdalene

Luca Signorelli, 1504

oilHigh Renaissancereligious paintingfigurereligious figurelandscapechalicehalodress
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in replicating intricate patterns and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the figure's pose and proportions.

  2. step 02

    Block in the main areas of color: the background, the figure's robe, and the dress.

  3. step 03

    Begin to refine the figure's features, paying attention to the light and shadow on her face and hands.

  4. step 04

    Add details to the robe, including the folds and highlights.

  5. step 05

    Carefully paint the intricate patterns on the dress and sleeves.

  6. step 06

    Render the chalice, focusing on its metallic sheen and reflections.

  7. step 07

    Add the background details, including the landscape and the halo.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and harmonious painting.

color palette

primary · red · ochre · ivory black

secondary · gold · sky blue · brown

Achieve the aged look by mixing muted tones and layering glazes. Use ochre and ivory black to create the background and skin tones. Mix red with a touch of black for the darker areas of the robe.

techniques

  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·drapery study
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Making the colors too bright and saturated.
  • →Failing to create a sense of depth in the background.
  • →Overworking the details and losing the overall harmony of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color palette.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Adoration of the Kings

The Adoration of the Kings

Giorgione

The Annunciation

The Annunciation

Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Giorgione

St. Helena

St. Helena

Cima da Conegliano

St. Nicholas of Tolentino

St. Nicholas of Tolentino

Pietro Perugino

Portrait of Elizabeth Gonzaga

Portrait of Elizabeth Gonzaga

Raphael

Sibyl

Sibyl

Dosso Dossi

Madonna with Child and Saints

Madonna with Child and Saints

Raphael