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home·artworks·Mary Anne Heide Norris
Mary Anne Heide Norris by Thomas Sully

plate no. 7138

Mary Anne Heide Norris

Thomas Sully, 1830

oilRomanticismportraitportraitfiguredressfurhairbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding how to depict fabric and fur textures with subtle brushwork.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on the proportions and placement of the figure.

  2. step 02

    Block in the main areas of color: skin, hair, dress, fur, and background.

  3. step 03

    Begin refining the skin tones, paying attention to subtle variations in color and value.

  4. step 04

    Develop the details of the hair, using small brushstrokes to create texture and volume.

  5. step 05

    Render the dress, focusing on the folds and shadows to create a sense of depth.

  6. step 06

    Paint the fur collar, using a dry brush technique to create a soft, fluffy texture.

  7. step 07

    Refine the background, blending colors to create a soft, atmospheric effect.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · titanium white · yellow ochre · cadmium red light

secondary · raw umber · ultramarine blue · alizarin crimson

Skin tones can be achieved by mixing titanium white, yellow ochre, and cadmium red light. Use raw umber and ultramarine blue to create darker tones for shadows. Mix ivory black and ultramarine blue for the dress.

techniques

  • ·portrait painting
  • ·blending
  • ·dry brushing
  • ·value studies
  • ·color mixing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to capture the likeness of the subject.
  • →Ignoring subtle variations in skin tone.
  • →Overworking the fur texture.
  • →Creating harsh lines instead of soft transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw umber oil paint
  • ·ultramarine blue oil paint

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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