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home·artworks·Martyrdom of the Twelve Apostles (Altarpiece for the Church of the Holy Apostles in Cologne, left wing)
Martyrdom of the Twelve Apostles (Altarpiece for the Church of the Holy Apostles in Cologne, left wing) by Stefan Lochner

plate no. 6287

Martyrdom of the Twelve Apostles (Altarpiece for the Church of the Holy Apostles in Cologne, left wing)

Stefan Lochner, 1435

woodInternational Gothicreligious paintingfiguresreligious scenesmartyrdomarchitecturecrowdsangels
experienced study

Recreating this painting would develop skills in figure drawing, drapery rendering, and creating a narrative composition. Students can also practice layering techniques to achieve the subtle color variations and depth.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Divide the canvas into six equal sections, sketching the basic composition of each scene.

  2. step 02

    Focus on accurate figure drawing, paying attention to proportions and poses.

  3. step 03

    Establish the base colors for each section, starting with the background and larger shapes.

  4. step 04

    Begin layering colors to create depth and form in the figures and drapery.

  5. step 05

    Add details to the faces, clothing, and architectural elements.

  6. step 06

    Refine the lighting and shadows to enhance the three-dimensionality of the scenes.

  7. step 07

    Add final details, such as highlights and textures.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of atmosphere.

color palette

primary · red · blue · yellow · green

secondary · brown · gold · white · black

Achieve the muted tones by mixing primary colors with earth tones and white. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·layering
  • ·glazing
  • ·figure drawing
  • ·drapery rendering
  • ·linear perspective

common pitfalls

  • →Inaccurate figure drawing can detract from the overall composition.
  • →Overworking the details can make the painting look cluttered.
  • →Failing to establish a clear light source can result in a flat and lifeless image.
  • →Using colors that are too bright or saturated can clash with the overall tone of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·oil paints (red, blue, yellow, green, brown, gold, white, black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (small round, flat)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with several layers of gesso for a smooth surface.

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