
plate no. 5633
Currier and Ives, 1872
Recreating this portrait will help students develop skills in blending skin tones and rendering soft textures. It also provides practice in capturing likeness and subtle shading.
technical profile
approach — 8 steps
Create a light sketch of the overall composition, focusing on proportions and placement.
Block in the main shapes and values with thin washes of color.
Begin layering skin tones, starting with mid-tones and gradually adding highlights and shadows.
Pay close attention to the subtle color variations in the face and neck.
Render the clothing and headwear, focusing on the folds and textures.
Refine the details of the face, including the eyes, nose, and mouth.
Soften edges and blend colors to create a smooth, realistic effect.
Add final highlights and shadows to enhance the form and create depth.
color palette
primary · titanium white · raw umber · burnt sienna · ivory black
secondary · alizarin crimson · ultramarine blue
Mix skin tones by blending white, raw umber, and burnt sienna. Use small amounts of alizarin crimson and ultramarine blue to create cooler shadows and subtle variations.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke