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home·artworks·Marshall Ney at Retreat in Russia
Marshall Ney at Retreat in Russia by Adolphe Yvon

plate no. 0724

Marshall Ney at Retreat in Russia

Adolphe Yvon, 1856

oilRomanticismhistory paintingfiguressnowbattletreesskylandscape
experienced study

Recreating this painting will help students develop skills in rendering complex figures in a landscape and creating atmospheric perspective with subtle color variations.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the main figures and the horizon line.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber, paying attention to the light source.

  3. step 03

    Block in the main color masses for the sky, snow, and figures, using a limited palette.

  4. step 04

    Develop the figures in the foreground, adding details and refining the forms.

  5. step 05

    Create depth by layering the background elements, using cooler and lighter tones.

  6. step 06

    Add highlights and shadows to create contrast and dimension.

  7. step 07

    Refine the details of the trees and snow, using dry brush techniques to create texture.

  8. step 08

    Add final glazes to unify the painting and adjust the color balance.

color palette

primary · burnt umber · titanium white · raw sienna

secondary · Prussian blue · cadmium red · yellow ochre

Achieve the muted tones by mixing the primary colors with white and small amounts of the secondary colors. Use Prussian blue and burnt umber to create a range of grays for the sky and snow.

techniques

  • ·atmospheric perspective
  • ·figure drawing
  • ·dry brush texture
  • ·glazing
  • ·value studies

common pitfalls

  • →Overworking the details in the background, which can flatten the perspective.
  • →Using colors that are too saturated, which can detract from the overall mood.
  • →Failing to establish a strong value structure, which can make the painting look muddy.
  • →Ignoring the importance of edges, which can make the painting look flat.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·raw sienna oil paint
  • ·Prussian blue oil paint
  • ·round brushes (#2, #4, #6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A toned canvas can help to establish the overall value structure.

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