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home·artworks·Marrakech
Marrakech by Ștefan Popescu

plate no. 5826

Marrakech

Ștefan Popescu

oilImpressionismcityscapecityscapearchitecturefiguresskywalllandscape
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and using warm and cool colors to create depth. It also provides practice in rendering simplified figures within a landscape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and figures, paying attention to perspective.

  2. step 02

    Establish the horizon line and the overall composition.

  3. step 03

    Block in the sky with light blues and grays, blending the colors softly.

  4. step 04

    Apply a base layer of warm browns and oranges to the buildings, varying the tones to suggest light and shadow.

  5. step 05

    Add details to the buildings, such as the archways and crenellations, using darker browns and oranges.

  6. step 06

    Paint the figures with simplified shapes and colors, using white and cream for their robes.

  7. step 07

    Add highlights and shadows to the figures to create depth.

  8. step 08

    Refine the details and blend the colors to create a cohesive and atmospheric effect.

color palette

primary · burnt sienna · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · cadmium orange · ivory black

Mix burnt sienna and raw umber for the base tones of the buildings. Add white to create lighter tones and blue to create cooler shadows. Mix ultramarine blue and white for the sky, adding a touch of yellow ochre for warmth.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·atmospheric perspective
  • ·color blending
  • ·simplified figure painting

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Using too much detail in the figures, making them appear out of place.
  • →Failing to create a sense of depth and atmosphere.
  • →Not varying the tones of the buildings enough, resulting in a flat and lifeless appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-sized canvas (e.g., 16x20 inches) for this project. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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