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home·artworks·Marquesa Mariana de Pontejos
Marquesa Mariana de Pontejos by Francisco Goya

plate no. 2598

Marquesa Mariana de Pontejos

Francisco Goya, 1786

oil, canvasRomanticismportraitfigureportraitdogdresslandscapehat
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating atmospheric perspective in the background.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, dog, and background elements.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes.

  3. step 03

    Begin refining the figure's face, paying close attention to the subtle shifts in value and color.

  4. step 04

    Develop the details of the dress, focusing on the folds, ribbons, and lace.

  5. step 05

    Paint the background, using soft, blended brushstrokes to create a sense of depth and atmosphere.

  6. step 06

    Add the dog, capturing its distinctive features and pose.

  7. step 07

    Refine the details and edges throughout the painting, ensuring that the overall composition is balanced and harmonious.

  8. step 08

    Add final highlights and shadows to enhance the sense of realism.

color palette

primary · ivory black · titanium white · yellow ochre · raw umber

secondary · cadmium red light · cerulean blue · sap green

Achieve the subtle grays and silvers of the dress by mixing ivory black and titanium white with small amounts of yellow ochre and raw umber. Use cadmium red for the pink accents and flowers.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·atmospheric perspective
  • ·glazing
  • ·blending

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details and losing the overall sense of harmony.
  • →Failing to create a convincing sense of depth in the background.
  • →Making the colors too saturated or bright.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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