apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Marktplatz Amalfi
Marktplatz Amalfi by Oswald Achenbach

plate no. 5483

Marktplatz Amalfi

Oswald Achenbach

oilRomanticismcityscapecityscapebuildingstowermountainsfiguresmarket
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, complex composition, and rendering architectural details. It also provides practice in depicting figures in a bustling environment.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and tower, paying attention to perspective.

  2. step 02

    Establish the horizon line and the overall composition.

  3. step 03

    Block in the large areas of color, focusing on the values and atmospheric perspective.

  4. step 04

    Develop the details of the buildings, including windows, arches, and textures.

  5. step 05

    Add the figures and market stalls, paying attention to their placement and interaction.

  6. step 06

    Refine the lighting and shadows, creating depth and dimension.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Review and adjust the overall composition and color balance.

color palette

primary · raw umber · titanium white · cerulean blue

secondary · burnt sienna · yellow ochre · cadmium red light

Achieve the muted tones by mixing complementary colors and adding white. Use thin washes of color for the distant mountains and buildings to create atmospheric perspective.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·broken color
  • ·linear perspective

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Ignoring atmospheric perspective and making the distant elements too sharp.
  • →Overworking the painting and losing the freshness of the initial layers.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider toning the canvas with a thin wash of raw umber before starting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke