apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Market Square, Segovia, Spain
Market Square, Segovia, Spain by Ernest Lawson

plate no. 7716

Market Square, Segovia, Spain

Ernest Lawson, 1916

oil, canvasImpressionismcityscapecathedralmarketbuildingsfiguresskycityscape
some experience helpful

Recreating this painting will help students develop skills in layering paint, using visible brushstrokes to create texture, and simplifying complex architectural forms into basic shapes. It also provides practice in depicting a bustling scene with many figures and details.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the cathedral, market stalls, and figures using light pencil lines.

  2. step 02

    Block in the main color areas for the sky, buildings, and ground using thin washes of color.

  3. step 03

    Start building up the texture of the cathedral with short, visible brushstrokes, focusing on light and shadow.

  4. step 04

    Add details to the market stalls and figures, using thicker paint and bolder brushstrokes.

  5. step 05

    Refine the colors and values, paying attention to the overall harmony of the painting.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Work on the sky and clouds, blending the colors softly.

  8. step 08

    Add final details and adjust the composition as needed.

color palette

primary · yellow ochre · raw umber · titanium white · cerulean blue

secondary · burnt sienna · cadmium red light · viridian green

Mix various shades of beige and brown for the buildings by combining yellow ochre, raw umber, and white. Use cerulean blue and white for the sky, adding a touch of yellow ochre for warmth. Create greens by mixing cerulean blue and yellow ochre.

techniques

  • ·impasto
  • ·broken color
  • ·dry brush
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Getting bogged down in details too early.
  • →Over-blending the colors and losing the texture.
  • →Not establishing a clear focal point.
  • →Ignoring the importance of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (yellow ochre, raw umber, titanium white, cerulean blue, burnt sienna, cadmium red light, viridian green)
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use high-quality oil paints for best results. A textured canvas can enhance the impasto effect.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann