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home·artworks·Marina
Marina by Kimon Loghi

plate no. 4038

Marina

Kimon Loghi, 1935

oilImpressionismmarinasearocksskybeachwavesgrass
some experience helpful

This painting is great for practicing color mixing to achieve realistic water and rock tones, as well as learning to create texture with visible brushstrokes. Students can also develop skills in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the rocks, horizon line, and foreground.

  2. step 02

    Block in the sky with a light blue-gray mix.

  3. step 03

    Establish the dark values of the rocks using burnt umber and a touch of blue.

  4. step 04

    Paint the water with varying shades of blue and green, adding white for highlights and wave crests.

  5. step 05

    Add the sandy beach area with a mix of ochre, white, and a touch of brown.

  6. step 06

    Define the grassy foreground with greens and yellows, using short, broken brushstrokes.

  7. step 07

    Refine the details of the rocks and waves, paying attention to light and shadow.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · viridian green · raw sienna

Mix blues and greens with white to create the various shades of the water. Use burnt umber and blue to create the dark tones of the rocks. Add yellow ochre to white for the sand.

techniques

  • ·broken color
  • ·wet-on-dry
  • ·scumbling
  • ·color mixing
  • ·layering

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much detail and not simplifying the scene.
  • →Failing to create a sense of depth and atmosphere.
  • →Not varying the colors enough in the water and rocks.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes
  • ·flat brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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