apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Marie Rochegrosse Dans La Salle À Manger
Marie Rochegrosse Dans La Salle À Manger by Georges Rochegrosse

plate no. 7647

Marie Rochegrosse Dans La Salle À Manger

Georges Rochegrosse, 1904

oilArt Nouveau (Modern)portraitinteriorportraitdogtablestill lifefurniture
experienced study

Recreating this painting will help students develop skills in rendering complex patterns and textures, as well as capturing the nuances of light and shadow in an interior scene. It also provides practice in painting reflective surfaces and depicting a variety of objects.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions.

  2. step 02

    Block in the main areas of color, focusing on the large shapes and values.

  3. step 03

    Develop the background elements, such as the wall, shelves, and window, paying attention to the patterns and details.

  4. step 04

    Start working on the figure, focusing on the face and hands, and gradually building up the details of the clothing.

  5. step 05

    Paint the dog, using short, broken brushstrokes to create the texture of the fur.

  6. step 06

    Add the still life elements on the table, paying attention to the reflections and highlights.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and atmosphere.

  8. step 08

    Add final touches and highlights to bring the painting to life.

color palette

primary · ultramarine blue · yellow ochre · alizarin crimson · titanium white

secondary · viridian green · burnt umber · cadmium yellow

Achieve the subtle variations in the wall color by mixing white with small amounts of blue, yellow ochre, and crimson. Create the pinks in the shawl by mixing white with alizarin crimson and a touch of yellow ochre.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·rendering reflections
  • ·depicting textures

common pitfalls

  • →Getting lost in the details too early before establishing the overall composition.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle variations in color and value.
  • →Ignoring the importance of reflections and highlights.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas is recommended for this project.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois