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home·artworks·Marie Effie, née Wilton, Lady Bancroft
Marie Effie, née Wilton, Lady Bancroft by Thomas Jones Barker

plate no. 4054

Marie Effie, née Wilton, Lady Bancroft

Thomas Jones Barker, 1882

oilRomanticismportraitportraitfiguredresscurtainfanjewelry
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating depth through subtle value changes and soft blending.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with broad strokes of blended reds and browns, creating a sense of depth.

  3. step 03

    Block in the main shapes of the figure, paying attention to the folds and drapery of the dress.

  4. step 04

    Begin refining the facial features, focusing on accurate placement and proportions.

  5. step 05

    Develop the values and highlights in the dress, creating a sense of volume and texture.

  6. step 06

    Add details like the jewelry, fan, and hair, using smaller brushes for precision.

  7. step 07

    Refine the background and edges, softening transitions and creating atmospheric perspective.

  8. step 08

    Add final highlights and shadows to enhance the overall realism and depth.

color palette

primary · ivory black · burnt umber · cadmium red

secondary · titanium white · yellow ochre · ultramarine blue

Mix ivory black with burnt umber to create the dark tones of the dress. Add small amounts of cadmium red to warm the shadows. Use titanium white to create highlights and lighten skin tones. Mix yellow ochre and ultramarine blue to create subtle greens for the background.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·value studies
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early.
  • →Making the values too flat and lacking depth.
  • →Using too much paint and losing the subtle gradations.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the initial values.

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oil painting for beginners →how to learn by studying the masters →
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