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home·artworks·Marie Alexandrina of Saxe-Altenburg, Queen of Hanover (1818-1907)
Marie Alexandrina of Saxe-Altenburg, Queen of Hanover (1818-1907) by Karl Ferdinand Sohn

plate no. 2828

Marie Alexandrina of Saxe-Altenburg, Queen of Hanover (1818-1907)

Karl Ferdinand Sohn, 1855

oilRomanticismportraitportraitfiguredresscolumnarchitecturejewelry
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of facial features, as well as the ability to depict complex textures like lace and fabric folds. It also provides practice in creating subtle gradations of light and shadow to model form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions of the figure and background.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Focus on accurately capturing the likeness of the face, paying attention to the subtle variations in tone and color.

  4. step 04

    Develop the details of the dress, using layering and glazing techniques to create the illusion of lace and fabric.

  5. step 05

    Render the background elements, such as the column and curtain, with soft edges and muted colors.

  6. step 06

    Refine the highlights and shadows to create a sense of depth and volume.

  7. step 07

    Add the final details, such as the jewelry and accessories.

  8. step 08

    Glaze overall to unify the painting and adjust values as needed.

color palette

primary · titanium white · ivory black · burnt umber · cadmium red

secondary · yellow ochre · ultramarine blue · raw sienna

Achieve the skin tones by mixing titanium white, yellow ochre, cadmium red, and a touch of burnt umber. Use ivory black and ultramarine blue to create subtle grays for shadows and background elements. Mix white with a touch of raw sienna to create the off-white color of the dress.

techniques

  • ·portraiture
  • ·glazing
  • ·layering
  • ·rendering fabric
  • ·chiaroscuro

common pitfalls

  • →Inaccurate proportions of the figure
  • →Overworking the details of the dress
  • →Failing to capture the likeness of the face
  • →Creating harsh lines and edges
  • →Ignoring the subtle variations in tone and color

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. A smooth canvas surface will be easier to work with when rendering fine details.

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oil painting for beginners →how to learn by studying the masters →
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