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home·artworks·Marianne Leaving the Judgement Seat of Herod
Marianne Leaving the Judgement Seat of Herod by John William Waterhouse

plate no. 9992

Marianne Leaving the Judgement Seat of Herod

John William Waterhouse, 1887

oil, canvasRomanticismhistory paintingfigureinteriorarchitecturestepsthronehistorical
experienced study

Recreating this painting will help students develop skills in rendering figures in complex settings and understanding how to create depth through atmospheric perspective and subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and architectural elements, paying attention to perspective.

  2. step 02

    Establish the background tones using thin washes of color, focusing on the overall mood and light.

  3. step 03

    Block in the main figures, starting with the largest shapes and gradually adding details.

  4. step 04

    Develop the drapery of the clothing, paying attention to the folds and highlights.

  5. step 05

    Refine the facial features and expressions of the figures.

  6. step 06

    Add details to the architectural elements, such as the throne, steps, and columns.

  7. step 07

    Incorporate the decorative elements and patterns.

  8. step 08

    Apply final glazes to unify the painting and enhance the colors.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve the muted tones by mixing earth colors with white and small amounts of blue or red. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the shadows.
  • →Losing the overall sense of atmosphere and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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