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home·artworks·Maria Zambaco
Maria Zambaco by Edward Burne-Jones

plate no. 7818

Maria Zambaco

Edward Burne-Jones, 1870

oilRomanticismportraitportraitfiguredraperybookchildflowers
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and facial features, as well as understanding how light interacts with fabric to create folds and highlights.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main figures and objects.

  2. step 02

    Establish the background colors, starting with the darkest areas.

  3. step 03

    Block in the basic skin tones of the figures, paying attention to the light source.

  4. step 04

    Begin layering the drapery, focusing on the highlights and shadows to create depth.

  5. step 05

    Add details to the face, including eyes, nose, and mouth, using subtle color variations.

  6. step 06

    Paint the book and other objects on the table, paying attention to their texture and form.

  7. step 07

    Refine the details and blend the colors to create a smooth, realistic finish.

  8. step 08

    Add final highlights and shadows to enhance the overall composition.

color palette

primary · ivory black · viridian · alizarin crimson · yellow ochre

secondary · ultramarine blue · titanium white · raw umber

Mix skin tones using white, yellow ochre, alizarin crimson, and a touch of ultramarine blue. Achieve the green drapery by mixing viridian with ivory black and touches of yellow ochre for highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the subtle nuances of light and shadow in the drapery.
  • →Inaccurate proportions in the figures, especially the face.
  • →Ignoring the importance of blending to create a smooth, realistic finish.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (ivory black, viridian, alizarin crimson, yellow ochre, ultramarine blue, titanium white, raw umber)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Soft cloths

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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