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home·artworks·Maria mit dem Jesuskind vor der Rasenbank
Maria mit dem Jesuskind vor der Rasenbank by Stefan Lochner

plate no. 6927

Maria mit dem Jesuskind vor der Rasenbank

Stefan Lochner, 1440

oilInternational Gothicreligious paintingMadonnaChildAngelsReligiousGardenFigures
experienced study

Recreating this painting will help students develop skills in rendering realistic skin tones, drapery folds, and creating a sense of depth through atmospheric perspective. It also provides practice in painting detailed figures and intricate patterns.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the overall arrangement.

  2. step 02

    Block in the main areas of color, starting with the background and then moving to the figures' clothing and skin.

  3. step 03

    Begin to refine the shapes and forms of the figures, paying attention to the light and shadow.

  4. step 04

    Add details to the faces, hands, and clothing, using smaller brushes and finer strokes.

  5. step 05

    Paint the halos and crown with careful attention to detail and metallic effects.

  6. step 06

    Develop the background elements, such as the angels, clouds, and garden, adding depth and texture.

  7. step 07

    Refine the overall composition and make any necessary adjustments to the colors and values.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · Ultramarine Blue · Yellow Ochre · Titanium White

secondary · Alizarin Crimson · Burnt Umber · Sap Green

Mix skin tones by blending white, yellow ochre, and a touch of alizarin crimson. Achieve the blue of the robe by mixing ultramarine blue with a touch of burnt umber for shadows and white for highlights.

techniques

  • ·Glazing
  • ·Blending
  • ·Scumbling
  • ·Underpainting
  • ·Layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unnatural.
  • →Ignoring the subtle variations in skin tone.

materials

surface · Stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (Ultramarine Blue, Yellow Ochre, Titanium White, Alizarin Crimson, Burnt Umber, Sap Green)
  • ·Palette
  • ·Assorted brushes (round, flat, detail)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Easel

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Mahogany panel

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.

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