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home·artworks·Maria Magdalena
Maria Magdalena by Alfred Stevens

plate no. 2546

Maria Magdalena

Alfred Stevens, 1887

oilRomanticismreligious paintingfigurehairskulldresslandscapesky
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering realistic skin tones and hair, and understanding light and shadow to create depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and proportions.

  2. step 02

    Establish the background with broad strokes, creating a dark and moody atmosphere.

  3. step 03

    Block in the main areas of the figure: skin, hair, and dress, using a limited palette.

  4. step 04

    Begin layering and blending colors to create smooth transitions in the skin tones.

  5. step 05

    Add details to the hair, using varied brushstrokes to simulate texture and highlights.

  6. step 06

    Define the folds and shadows in the dress, paying attention to the way light interacts with the fabric.

  7. step 07

    Carefully render the skull, focusing on its anatomical structure and subtle variations in tone.

  8. step 08

    Refine the overall painting, adding final details and adjusting values to create a sense of depth and realism.

color palette

primary · titanium white · burnt umber · yellow ochre · ivory black

secondary · cadmium red light · ultramarine blue

Mix various shades of brown and beige by combining burnt umber, yellow ochre, and titanium white. Add small amounts of red or blue to adjust the warmth or coolness of the skin tones. Use black sparingly to create deep shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating muddy or dull colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·retouch varnish

Use high-quality oil paints for best results. A medium can be added to the paints to improve flow and blending.

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