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home·artworks·Maria, Lady Callcott
Maria, Lady Callcott by Thomas Lawrence

plate no. 2754

Maria, Lady Callcott

Thomas Lawrence, 1819

oilRomanticismsketch and studyportraitfigureheadscarffaceclothing
some experience helpful

Recreating this painting will help students develop skills in portrait sketching, capturing likeness, and using a limited palette to create subtle variations in skin tones. It also provides practice in suggesting form with loose brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, neck, and shoulders, paying attention to proportions.

  2. step 02

    Establish the background with a thin wash of muted green/gray.

  3. step 03

    Block in the main areas of light and shadow on the face and headscarf using a limited palette.

  4. step 04

    Refine the facial features, focusing on capturing the likeness and subtle variations in skin tone.

  5. step 05

    Add details to the headscarf, suggesting folds and textures with loose brushstrokes.

  6. step 06

    Define the clothing with broad strokes, keeping the edges soft and undefined.

  7. step 07

    Adjust values and refine details to create a sense of depth and form.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · titanium white · ivory black · burnt umber · cadmium red light

secondary · yellow ochre · ultramarine blue

Mix various shades of skin tones by combining white, red, umber, and a touch of yellow ochre. Use black and umber to create the darker tones in the background and shadows.

techniques

  • ·portrait sketching
  • ·limited palette blending
  • ·loose brushwork
  • ·value control
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the freshness of the sketch.
  • →Using too much color and creating a muddy effect.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the importance of value contrast in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (titanium white, ivory black, burnt umber, cadmium red light, yellow ochre, ultramarine blue)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel

Use a canvas with a smooth surface for easier blending. Consider using a medium to thin the oil paints for smoother application.

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oil painting for beginners →how to learn by studying the masters →
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