apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Maria Hardouin D'Annunzio
Maria Hardouin D'Annunzio by Antonio de la Gándara

plate no. 7342

Maria Hardouin D'Annunzio

Antonio de la Gándara, 1899

oilArt Nouveau (Modern)portraitportraitfiguredressfabricchairbackground
experienced study

Recreating this painting will help students develop skills in portraiture, fabric rendering, and creating subtle color variations to depict light and shadow. It also provides practice in capturing the delicate details of lace and jewelry.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background, focusing on the subtle variations in tone and pattern.

  4. step 04

    Begin building up the form of the figure, paying close attention to the light and shadow.

  5. step 05

    Refine the details of the face, hair, and dress, using small, precise brushstrokes.

  6. step 06

    Add the details of the lace, jewelry, and other accessories.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · raw umber · alizarin crimson · ivory black

secondary · yellow ochre · ultramarine blue

Mix various shades of pink by combining alizarin crimson and titanium white. Use raw umber and ivory black to create the dark tones in the background and shadows. Add small amounts of yellow ochre and ultramarine blue to create subtle color variations.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·glazing
  • ·scumbling
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in tone and color.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (titanium white, raw umber, alizarin crimson, ivory black, yellow ochre, ultramarine blue)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for the painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois